This work is a speculative fragment—an artifact from a world where boundaries between digital and organic, solid and fluid, are destabilized. The print, a dense layering of generative patterns and abstracted topographies, appears embedded within an amorphous structure that oozes and calcifies around it. This framing is not simply a container but an active participant in the piece, simultaneously preserving and distorting the image, as though it has grown around it like a geologic formation or a biological shell.
Here, the interplay between materiality and digital fabrication complicates the notion of containment. The structure suggests both protection and intrusion, a threshold between what is exposed and what remains concealed. The generative marks within the print gesture toward landscapes, networks, or systems in flux—yet they are encased, partially obscured, their full form unknowable.
I am interested in the way these sculptural distortions create a sense of tension—between the digital and the tactile, between the smooth logic of generated forms and the irregularity of physical growth. The work asks: What does it mean to enclose or frame something that refuses to be fully contained? In this way, it acts as both a portal and a rupture, inviting the viewer to consider the liminal spaces where structures emerge, dissolve, and reform.