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This work is a speculative fragment—an artifact from a world where boundaries between digital and organic, solid and fluid, are destabilized. The print, a dense layering of generative patterns and abstracted topographies, appears embedded within an amorphous structure that oozes and calcifies around it. This framing is not simply a container but an active participant… Continue reading Anemoia

This work is a speculative microcosm—an unstable world where entities are not bound to a singular reality or form. They shift, converge, rupture, and dissolve into each other, existing in a state of perpetual flux. Within this image, bodies and structures refuse to be fixed, slipping between substance and abstraction, glitching in and out of… Continue reading The Ways We Record the Universe

Intelligent Belligerent is an interactive web work that explores the recursive logic, constraints, and breakdowns inherent in computational systems. Built around a generative poem, the piece allows users to activate stanzas by clicking on numbers, revealing fragments of code-like syntax, speculative physics, and existential questioning. This interaction mirrors the way systems—both technological and social—demand input… Continue reading Intelligent Belligerent

Evidence of Our Own Primitive Nature is a site-specific installation that magnifies moments of interaction and genesis within speculative microcosms. It proposes an alternative way of existing—one where no entity is bound to a singular expression, device, or reality. These works oscillate between code-based interactive vignettes, digital fabrication, and animation, embracing the breakdowns and glitches… Continue reading Evidence of Our Own Primitive Nature

Solo show at Coop Gallery! March 2021 Cataclysm/Catechism holds a tension that sits at the core of my work—the collision between destruction and imposed meaning, between systems that try to control the world and the forces that inevitably unravel them. The title comes from Jeff VanderMeer’s Area X trilogy, where the known order breaks down… Continue reading Cataclysm/Catechism

Solo show at Galleri Urbane in September 21 “i want to watch you watch it burn” is named after a line in “The Melting of the Sun” by St.Vincent, off her new album Daddy’s Home, which I listened to nonstop in the final sprint for this show. “The Melting of the sun” refers to the perceived… Continue reading i want to watch you watch it burn

For this work I took inspiration from some of the mini golf courses I frequented as a child, which were often structured around large sculptures depicting cultural icons, like a dancing hotdog. The icon I would like to pay homage to via Mini Golf is the Sheela na gig, which is an early stone-carved “meme”… Continue reading The Idol

Each of my prints begins as a pattern generated through code, brought to life by an XY plotter wielding gelly roll pens and metallic markers. This process is iterative—code evolves, plots are reworked, and compositions emerge through cycles of refinement. What begins as structured patterning unravels into something more unpredictable, gesturing toward a speculative sci-fi… Continue reading Prints!

Pussy Palace is all about fluidity, power, and transformation. I’m projecting videos of water and aquatic animals onto CNC-fabricated forms made from MDF and acrylic—things that feel rigid and structured but get completely reshaped by the moving images. There’s something slick, wet, and full of power in that contrast, like the way water resists containment.… Continue reading Pussy Palace

Each of my prints begins as a pattern generated through code, brought to life by an XY plotter wielding gelly roll pens and metallic markers. This process is iterative—code evolves, plots are reworked, and compositions emerge through cycles of refinement. What begins as structured patterning unravels into something more unpredictable, gesturing toward a speculative sci-fi… Continue reading Fatherless Creatures, Motherless Features