The Oblivion Series is an exploration of digital organic forms that engage with the vast, unseen forces shaping existence. These videos evoke a sense of swirling nothingness—an absence that is paradoxically generative, a void that is not empty but teeming with potential. This work is not about nihilism, but rather about connection and meaning beyond human perception, a transcendence that resists being visualized or fully understood.
At its core, this series grapples with the limits of cognition—the impossibility of grasping the sheer scale of entanglement that binds all things. We are immersed in networks of matter, energy, and time, yet the depth of these interconnections eludes us. Drawing from Karen Barad’s Meeting the Universe Halfway, I think of these works as meditations on intra-action: the idea that objects, forces, and beings do not exist as discrete entities but come into being through their entanglements with one another.
These pieces ask: What does it mean to dissolve into the infinite? How do we acknowledge forces beyond perception—forces that are neither absent nor present, but always already in motion? In these works, oblivion is not erasure but emergence, not loss but transformation.