Pussy Palace is all about fluidity, power, and transformation. I’m projecting videos of water and aquatic animals onto CNC-fabricated forms made from MDF and acrylic—things that feel rigid and structured but get completely reshaped by the moving images. There’s something slick, wet, and full of power in that contrast, like the way water resists containment. The piece plays with material and metaphor, pushing at the edges of embodiment, sensuality, and dominance. Like a lot of my work, it challenges binaries, creating a space where things shift, merge, and refuse to stay fixed.